About The Turntable of Civilization

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Born in Miyagi Prefecture, Japan.
It is easier than twisting a baby’s hand to manipulate the media and government of the democratic camp, which is trapped in pseudo-moralism and political correctness by the totalitarian state represented by the one-party dictatorship of the Communist Party, whose essence is propaganda.
The Asahi Shimbun dominated Japan until the press conference of its president, Tadakazu Kimura, on September 11, 2014.
When I was in elementary school, the adverse effects were probably not as significant as they could have been.
There were frequent national achievement tests and intelligence tests.
However, after my time, these tests were rarely conducted because they were said to be discriminatory.

When I was in the fifth grade, I was called into the principal’s office because I had scored very high on the above test.
For a fifth-grader, I already had the ability of a high school sophomore.
I studied at one of the best prep schools not only in Miyagi Prefecture but also in Japan.
I thought that The university of kyoto, not The university of tokyo, was where I should further my education.
One of my teachers went to Tohoku University instead ofThe university of kyoto due to family reasons and taught history at his alma mater.
When I was in junior high school, I had read Tolstoy’s “War and Peace,” “Anna Karenina,” and Dostoevsky’s “The Brothers Karamazov.” Still, when I was in high school, for some reason, I became obsessed with Ryunosuke Akutagawa.
The Russian Revolution of 1917, in which Lenin established the Soviet communist state, had a significant impact on intellectuals worldwide.
Ryunosuke Akutagawa was, as his appearance suggests, a man of literature with a keen sensitivity that was the ultimate in delicacy.
He, too, has been profoundly influenced.
I felt that his suicide was partly caused by the trap of the “study school,” It said that since it had established a country of workers, there was no reason for intellectuals to exist.
That’s why I read and hunted for materials before and after the Russian Revolution in the library of my alma mater.
My teacher knew this.
When the unit on the Russian Revolution came, he put me on the podium, saying, “K knows more about this area than I do.”
The lecture I gave in front of all the brilliant students in Miyagi Prefecture lasted for two hours.
I ended the lecture by introducing Akutagawa’s “Words of a dwarf” about Lenin.
“Lenin. You are an electric locomotive born in the East, smelling of flowers and grass.

One of my classmates was one of the top two brains in science.
He was known throughout Miyagi Prefecture as a brilliant science major from the time he was in junior high school.
I was well known as a humanities major.
About five years later, he and I encountered each other on the stairs of a job security office in Sendai.
He had followed the path of Japan’s leading elite, only to be entangled by Zenkyōtō.
In stark contrast to him, I, probably because I was a liberal arts major, responded more than I should to the discord in my family where I was born and raised and went off on a sidetrack that none of my classmates knew.
In my alma mater graduation essay, it was written that “this K will eventually leave a great mark on the Japanese literary world.” Still, the main reason why this did not happen was that I encountered the writings of Le Clézio.
There is a saying that another person in this world is exactly like you, and that is how I saw him.
As long as he is writing, there is no need for me to write.
Also, it can throw books (novels) in the bucket after reading.
There should be only one book in this world.
Then I lived the life of his success story, the “Book of Escape” that I liked the most.
In the alumni directory of my alma mater, I was listed as having been missing for a long time.
I got a job at what is now Haseko Corporation.
They had been doing a background check on me for two and a half months.
One would not usually think that a man of such apparent genius would let his life go sideways due to personal and family suffering.
Wasn’t he involved in student activism?
I guess the company was concerned about this.
It was a job opening in the middle of a recession, and the halls of the head office were overflowing with job seekers for only two doors.
At the time, I was in charge of outdoor advertising sales at an advertising agency subsidiary of Sanwa Bank.
I was achieving results that were unprecedented in the history of this company.
Salaries at the subsidiary were low, and the employees were working to form a union to improve the situation.
The union’s core comprises two men, one from Kansai University and the other from Kwansei Gakuin University.
After work, we gathered in a room in a vacant building in the neighborhood and started preparing for the establishment.
However, they began to argue among themselves, so to speak, about the Sohyo line versus the Alliance line.
I said to them, “All you need to do is to ask for a raise in salary. It doesn’t matter what line you take. If that’s your main issue, then I’m out,” I said and left.
I felt a little uncomfortable.
At that time, there was a call for applications from Haseko.
The whole auditorium was filled with people in a desperate mood.
I had a feeling that most of these people would be rejected.
As for me, I was making the seven interviewers, including the one in charge who graduated from Osaka University, laugh.
I later learned that they decided to hire K because he was funny.
That was the beginning of my career in real estate.
Later, he founded Osaka Housing Distribution Group Co.Ltd., which was reputed to be one of the best real estate companies in Japan, although it was unknown nationwide.
During its heyday, the company paid over 17 billion yen in taxes to the Japanese government in just ten years.
You can find the rest of the story and today’s story in my previous blogs on goo and ameba.
In July 2010, I had no choice but to appear on the Internet because the confusion over the Osaka Station North Yard project, which I had been proclaiming to everyone around me as the key to Osaka’s revival, was too much.
Since then, I’ve been posting on goo and Amoeba, day after day, in many languages, to the world.
This time, the time has come to create this homepage as a blog with a chargeable system.
June 2021, lucky day!

About cloud funding.

It has been about 30 years since the age of the Internet, and this column, which appeared in July 2010, is the one and only blog in the world.
Hiroshi Furuta, whom I have known for the first time since August seven years ago, is a real scholar.
He is also one of the best scholars in the world.
However, as a long-time subscriber to the Asahi Shimbun, Weekly Asahi, etc., I had never heard of him.
It is one of the obvious facts about the mass media’s manipulation of information and biased reporting.
His definition of “intuition” is synonymous with what I have been saying since I was young: “Geniuses get inspiration, mediocre ones do not.
For people worldwide who want to know the truth of things, and for those who wish to have the correct knowledge as a human being living in the 21st century, this column will deliver genuine articles to the world every day in the language of each country.
As I have already mentioned, it is divine providence that the “turntable of civilization” is now turning in Japan, which has been the best country in the world since ancient times.
In Japan, real thinkers from all walks of life are writing genuine papers day and night.
Japanese is a beautiful language, but it is not the standard language of the world.
That is why the world did not know about Japan.
A recent book by Yoshio Kisa, former Yomiuri reporter and Berlin correspondent, “Germany is becoming ‘anti-Japanese,’ its true identity,” really proves that my article was correct.
This book is one of the most important books of the 21st century.
People around the world who make a living out of speech should become subscribers to this column.
It will keep you inspired about the truth of things. 

[Official Warning] The Author of The Turntable of Civilization Is MIKIO KISARA (木皿幹雄) — “Kenji Akutagawa” (芥川賢治) Is His Former Pen Name; the Facebook Account Under the Same Name Is an “Impersonation” by a Convicted Criminal

Official Statement Concerning the Author’s Identity and the Attribution of His Body of Work
Last updated: September 5, 2026
The author of The Turntable of Civilization is MIKIO KISARA (木皿幹雄).
“Kenji Akutagawa” (芥川賢治) is the pen name that I originally used.
However, the account using the name “Kenji Akutagawa” that appeared on Facebook around November 2017 does not belong to me.
It is an “impersonation” of me by a person who was convicted of a crime and served three years in prison.
As a result of a series of acts committed by this person, both my company and I continue to suffer enormous damage to this day.
I ask readers, business associates, Google, Bing and other search-engine providers, social-media operators, and all other parties concerned to exercise the utmost care, in search results, profile displays and all other information relating to The Turntable of Civilization, so that the person using the name “Kenji Akutagawa” on Facebook and other social-media platforms is never mistaken for or confused with me, MIKIO KISARA (木皿幹雄).

The Turntable of Civilization and My Former Pen Name “Kenji Akutagawa”

The Turntable of Civilization is a single, continuous body of work begun by MIKIO KISARA (木皿幹雄) on July 16, 2010, and continued to the present day.
“Kenji Akutagawa” was the former pen name I used when I began this body of work because, at that time, I wished to avoid appearing on the Internet under my real name.
The pen name was derived from Ryunosuke Akutagawa and Kenji Miyazawa, two writers who had a profound influence on my life, and it was a name to which I felt a deep attachment.
On July 16, 2010, using this former pen name, I began publishing The Turntable of Civilization on the Internet.
Therefore, “Kenji Akutagawa” is not the name of another person.
It is a pen name formerly used by MIKIO KISARA (木皿幹雄).
My former pen name “Kenji Akutagawa” and my current author and creator name, MIKIO KISARA (木皿幹雄), refer to one and the same person.
The collection of social commentary titled The Turntable of Civilization, published by Bungeisha on December 1, 2011, was also written by me and published under my former pen name, “Kenji Akutagawa.”
The online writings that I began publishing on July 16, 2010, the book The Turntable of Civilization published by Bungeisha, my social commentary, essays and articles, photographic works, YouTube works, Hatena Blog, Ameba Blog and official website all belong to the same continuous body of work by MIKIO KISARA (木皿幹雄), regardless of when they were published or which name was used at the time.
By contrast, Facebook accounts, other social-media accounts, posts, displays and profiles using the name “Kenji Akutagawa” that are not under my control are not those of the author of The Turntable of Civilization.

More Than 300,000 Works: The Intellectual Assets of The Turntable of Civilization

Since July 16, 2010, under the name The Turntable of Civilization, I have published an enormous body of essays and commentary concerning society, politics, diplomacy, national security, economics, journalism, culture, the arts and other subjects.
The total number of items I have published exceeds 300,000.
In addition, there are the book published by Bungeisha, my photographic works, YouTube works, Hatena Blog, Ameba Blog and works published on my official website.
The Turntable of Civilization is not merely the title of a single book or the name of one blog.
It is an irreplaceable intellectual asset comprising the vast body of work, reputation, search recognition and social reach that I have built over many years since July 2010.

The Enormous Damage Inflicted on the Book The Turntable of Civilization

On June 1, 2011, while I was hospitalized, I announced from my hospital room on my blog that the book The Turntable of Civilization was scheduled for publication.
It was immediately after that announcement that an almost unbelievable campaign of persistent and malicious search interference began.
Approximately six months later, on December 1, 2011, the book was published by Bungeisha under my former pen name, “Kenji Akutagawa.”
However, because of the large-scale search interference that began immediately after the publication announcement, the book suffered enormous damage to its publicity, sales, search visibility and public recognition even before it was released.
As a result, the book failed to reach many of the readers it otherwise should have reached and ultimately became, in practical terms, out of print.
As of August 30, 2026, apart from the possibility that a small number of used copies remain in circulation, the book is no longer distributed as a regular new publication.
Nevertheless, when The Turntable of Civilization is searched today, search-engine AI responses may place this book, published under my former pen name “Kenji Akutagawa,” prominently at the beginning of their answers.
At the same time, they do not correctly show its continuity with the official website, essays and commentary, photographic works, YouTube works, Hatena Blog and Ameba Blog that I, MIKIO KISARA (木皿幹雄), continue to produce today.
This creates the false impression that the book published under my former pen name, which is no longer in ordinary commercial circulation, and my present body of work as MIKIO KISARA (木皿幹雄) are the works of different people engaged in separate activities.

Large-Scale Search Interference Beginning in June 2011

Beginning around June 2011, malicious search interference, impersonation and defamation targeting my former pen name “Kenji Akutagawa” and The Turntable of Civilization began to occur.
According to records from that time, a Japanese-language search for “文明のターンテーブル” produced several million results, and the chapters I had published appeared continuously from page 1 through page 78 of the search results that I personally checked.
The estimated number of English-language search results exceeded 20 million, and likewise, from page 1 through page 78, my articles published in various languages around the world were displayed.
Beginning around June 2011, however, hundreds of IDs were created on a blogging service, and large numbers of malicious blogs containing unauthorized reproductions of chapters from my work embedded within meaningless text began appearing prominently in search results.
As a result, the search results were severely polluted, and the estimated number of results displaying my legitimate works fell to less than one-hundredth of its previous level.
This was not an accidental phenomenon.
It was an organized and extremely malicious interference with my work, carried out for the purpose of damaging the search reputation and credibility I had built for The Turntable of Civilization and pushing my legitimate works out of prominent search positions.
At that time, an account calling itself “Akutagawa + Kenji” also appeared on Twitter and posted defamatory statements describing me as though I were a dishonest writer and a dishonest real-estate businessman, while writing phrases such as “Mr. Kisara, also known as Kenji Akutagawa.”
These acts deliberately connected my former pen name with my real name in an attempt to damage my social reputation and my work as an author.

Three Criminal Complaints and the 2012 Investigation

In 2012, I filed three criminal complaints with the police having jurisdiction over three incidents in which the same individual had caused damage to both my company and me.
All three complaints were formally accepted, investigated and referred to the District Public Prosecutors Office.
According to the records from that time that remain in my possession, during the investigation into the large-scale online search interference and obstruction of business, the individual concerned fully admitted to investigators that he himself had carried out those acts.
I continue to preserve the records and evidence relating to these events.
All three cases were handled by the District Public Prosecutors Office.
However, unlike a bank, my company was not in a position to assemble a large legal team and sustain a prolonged legal effort, and ultimately no indictment was brought.
The fact that the cases did not result in prosecution does not mean that the damage did not occur, that no investigation was conducted, or that the individual concerned did not admit his involvement in the search interference.

Impersonation by a Convicted Criminal Who Served a Prison Sentence

This individual is, in fact, a convicted criminal who was found guilty of fraud involving the theft of a large sum of money from a bank and served approximately three years in prison.
The purpose of this page is not to publicize that criminal’s name again, but to establish clearly the identity of the genuine author of The Turntable of Civilization and the proper attribution of its works.
For that reason, I do not state his name here.
Around November 2017, shortly after his release from prison, this criminal appeared on Facebook using my former pen name, “Kenji Akutagawa,” and approached me while impersonating the author of The Turntable of Civilization.
The Facebook account using the name “Kenji Akutagawa” was neither created nor managed by me.
Nor was it created by the author of The Turntable of Civilization or by anyone associated with me.
This was not a coincidental account belonging to someone with the same name, nor was it a harmless prank by an unrelated third party.
A convicted criminal who had served a prison sentence, shortly after his release, used the former pen name of the very author whom he had previously targeted through search interference and impersonated that author.
I can only conclude that the purpose was to exploit the enormous body of more than 300,000 works and intellectual assets that I had built since July 2010, while confusing search results, social-media displays and AI responses and thereby diminishing the credibility and value of The Turntable of Civilization.
This conduct amounts to taking another person’s former pen name and authorial identity and violating the body of work and social reputation that person spent many years building.
It is nothing other than criminal conduct.
I am convinced that the search interference beginning in June 2011, the defamatory activity on Twitter, and the “Kenji Akutagawa” Facebook account that appeared around November 2017 were part of a continuous series of acts committed by the same individual.

The Continuing Impact of the Interference on Search Results and AI Responses

Today, search-engine AI responses may prominently display the book The Turntable of Civilization, published under my former pen name and no longer in ordinary circulation as a new book, without correctly explaining its relationship to the body of work that MIKIO KISARA (木皿幹雄) continues to produce today.
This does not mean that the criminal in question is directly manipulating the AI systems of search providers.
Rather, it means that the distorted information structure created after June 2011, when this criminal polluted search results by using large numbers of IDs and blogs containing unauthorized reproductions and thereby pushed the genuine works of The Turntable of Civilization down in search rankings, continues to affect the information referenced by search engines and AI systems.
When the entire sequence is considered—the search interference that began immediately after the announcement of the book, the individual’s full admission during the investigation, the post-release Facebook impersonation using my former pen name, and the unnatural search results and AI responses that remain today—it is clear that the effects of this criminal’s interference continue to cause confusion about the relationship between the book The Turntable of Civilization and my present body of work.
If these incorrect search displays and AI responses are corrected, I will update this page to reflect the circumstances at that time.

Meta’s Failure to Act and the Corrective Measures I Am Currently Taking

I have repeatedly reported to Meta, the operator of Facebook, that the “Kenji Akutagawa” account not under my control is impersonating the author of The Turntable of Civilization, and I have repeatedly requested corrective action.
To this day, however, Meta has failed to take effective corrective action against the account and has, in practical terms, allowed it to remain.
If this situation continues, there is a risk that confusion between the impersonation account created by the criminal and the genuine author and works of The Turntable of Civilization will continue to spread through search results, Facebook displays, AI responses and elsewhere.
To address this reality, I am currently reviewing, one by one, the chapters, essays and commentaries that I published over several years beginning in 2010.
Where the expressions “Akutagawa” or “Kenji Akutagawa” were used in titles or in the text to refer to myself as the author, I am replacing them, according to context, with expressions such as “I,” “Kisara,” “きさら,” or “木皿.”
This work does not alter the substance of those past works, their arguments, their original publication dates or their authorship.
It is an effort to correct and unify references made under my former pen name into the current name of the genuine author, MIKIO KISARA (木皿幹雄), in order to prevent confusion caused by the criminal’s misuse of my former pen name and Meta’s continued failure to remove the impersonation account.
Accordingly, whether before or after such revisions, the author of all these chapters, essays and commentaries is MIKIO KISARA (木皿幹雄).
The historical fact that the book The Turntable of Civilization, published by Bungeisha on December 1, 2011, was released under my former pen name “Kenji Akutagawa” remains unchanged.
The “Kenji Akutagawa” named as the author of that book and the present author MIKIO KISARA (木皿幹雄) are one and the same person.

Formal Correction Regarding Search Results, Social-Media Displays and AI Responses

Search results and AI responses may sometimes present the social commentary and book published under my former pen name “Kenji Akutagawa” as though they were the work of a different person, or an activity unrelated to the photographic works, YouTube works, Hatena Blog, Ameba Blog, official website, essays and commentaries that I continue to publish under the name MIKIO KISARA.
Such representations are unequivocally incorrect.
“Kenji Akutagawa” is the former pen name once used by MIKIO KISARA (木皿幹雄).
The book The Turntable of Civilization, together with the social commentary, essays and articles, photographic works, YouTube works, Hatena Blog, Ameba Blog and works on the official website that I have officially published, all form one continuous body of work by MIKIO KISARA (木皿幹雄).
By contrast, Facebook accounts, other social-media accounts, posts, displays and profiles using the name “Kenji Akutagawa” that are not under my control are not those of the author of The Turntable of Civilization and have no connection whatsoever with the author or anyone associated with him.
It is factually incorrect for search-engine providers, AI-service providers, social-media operators or any other information providers to display such third-party accounts or information as though they were connected with the author of The Turntable of Civilization or with his legitimate body of work.
This page has been established to state officially and unequivocally that my former pen name “Kenji Akutagawa,” the Bungeisha publication The Turntable of Civilization, my present author and creator name MIKIO KISARA (木皿幹雄), and the essays and commentaries, photographic works, YouTube works, Hatena Blog, Ameba Blog and official website that continue to the present day all belong to one and the same author and one continuous body of work.
The author of The Turntable of Civilization is MIKIO KISARA (木皿幹雄).
All works that I published under my former pen name “Kenji Akutagawa” are also works by the same author, MIKIO KISARA (木皿幹雄).

For the complete and authoritative version of this official statement, please refer to the “Information” section of the official website of The Turntable of Civilization. This page contains the definitive statement concerning MIKIO KISARA (木皿幹雄), his former pen name “Kenji Akutagawa” (芥川賢治), and the Facebook impersonation account.