About The Turntable of Civilization

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Born in Miyagi Prefecture, Japan.
It is easier than twisting a baby’s hand to manipulate the media and government of the democratic camp, which is trapped in pseudo-moralism and political correctness by the totalitarian state represented by the one-party dictatorship of the Communist Party, whose essence is propaganda.
The Asahi Shimbun dominated Japan until the press conference of its president, Tadakazu Kimura, on September 11, 2014.
When I was in elementary school, the adverse effects were probably not as significant as they could have been.
There were frequent national achievement tests and intelligence tests.
However, after my time, these tests were rarely conducted because they were said to be discriminatory.

When I was in the fifth grade, I was called into the principal’s office because I had scored very high on the above test.
For a fifth-grader, I already had the ability of a high school sophomore.
I studied at one of the best prep schools not only in Miyagi Prefecture but also in Japan.
I thought that The university of kyoto, not The university of tokyo, was where I should further my education.
One of my teachers went to Tohoku University instead ofThe university of kyoto due to family reasons and taught history at his alma mater.
When I was in junior high school, I had read Tolstoy’s “War and Peace,” “Anna Karenina,” and Dostoevsky’s “The Brothers Karamazov.” Still, when I was in high school, for some reason, I became obsessed with Ryunosuke Akutagawa.
The Russian Revolution of 1917, in which Lenin established the Soviet communist state, had a significant impact on intellectuals worldwide.
Ryunosuke Akutagawa was, as his appearance suggests, a man of literature with a keen sensitivity that was the ultimate in delicacy.
He, too, has been profoundly influenced.
I felt that his suicide was partly caused by the trap of the “study school,” It said that since it had established a country of workers, there was no reason for intellectuals to exist.
That’s why I read and hunted for materials before and after the Russian Revolution in the library of my alma mater.
My teacher knew this.
When the unit on the Russian Revolution came, he put me on the podium, saying, “K knows more about this area than I do.”
The lecture I gave in front of all the brilliant students in Miyagi Prefecture lasted for two hours.
I ended the lecture by introducing Akutagawa’s “Words of a dwarf” about Lenin.
“Lenin. You are an electric locomotive born in the East, smelling of flowers and grass.

One of my classmates was one of the top two brains in science.
He was known throughout Miyagi Prefecture as a brilliant science major from the time he was in junior high school.
I was well known as a humanities major.
About five years later, he and I encountered each other on the stairs of a job security office in Sendai.
He had followed the path of Japan’s leading elite, only to be entangled by Zenkyōtō.
In stark contrast to him, I, probably because I was a liberal arts major, responded more than I should to the discord in my family where I was born and raised and went off on a sidetrack that none of my classmates knew.
In my alma mater graduation essay, it was written that “this K will eventually leave a great mark on the Japanese literary world.” Still, the main reason why this did not happen was that I encountered the writings of Le Clézio.
There is a saying that another person in this world is exactly like you, and that is how I saw him.
As long as he is writing, there is no need for me to write.
Also, it can throw books (novels) in the bucket after reading.
There should be only one book in this world.
Then I lived the life of his success story, the “Book of Escape” that I liked the most.
In the alumni directory of my alma mater, I was listed as having been missing for a long time.
I got a job at what is now Haseko Corporation.
They had been doing a background check on me for two and a half months.
One would not usually think that a man of such apparent genius would let his life go sideways due to personal and family suffering.
Wasn’t he involved in student activism?
I guess the company was concerned about this.
It was a job opening in the middle of a recession, and the halls of the head office were overflowing with job seekers for only two doors.
At the time, I was in charge of outdoor advertising sales at an advertising agency subsidiary of Sanwa Bank.
I was achieving results that were unprecedented in the history of this company.
Salaries at the subsidiary were low, and the employees were working to form a union to improve the situation.
The union’s core comprises two men, one from Kansai University and the other from Kwansei Gakuin University.
After work, we gathered in a room in a vacant building in the neighborhood and started preparing for the establishment.
However, they began to argue among themselves, so to speak, about the Sohyo line versus the Alliance line.
I said to them, “All you need to do is to ask for a raise in salary. It doesn’t matter what line you take. If that’s your main issue, then I’m out,” I said and left.
I felt a little uncomfortable.
At that time, there was a call for applications from Haseko.
The whole auditorium was filled with people in a desperate mood.
I had a feeling that most of these people would be rejected.
As for me, I was making the seven interviewers, including the one in charge who graduated from Osaka University, laugh.
I later learned that they decided to hire K because he was funny.
That was the beginning of my career in real estate.
Later, he founded Osaka Housing Distribution Group Co.Ltd., which was reputed to be one of the best real estate companies in Japan, although it was unknown nationwide.
During its heyday, the company paid over 17 billion yen in taxes to the Japanese government in just ten years.
You can find the rest of the story and today’s story in my previous blogs on goo and ameba.
In July 2010, I had no choice but to appear on the Internet because the confusion over the Osaka Station North Yard project, which I had been proclaiming to everyone around me as the key to Osaka’s revival, was too much.
Since then, I’ve been posting on goo and Amoeba, day after day, in many languages, to the world.
This time, the time has come to create this homepage as a blog with a chargeable system.
June 2021, lucky day!

About cloud funding.

It has been about 30 years since the age of the Internet, and this column, which appeared in July 2010, is the one and only blog in the world.
Hiroshi Furuta, whom I have known for the first time since August seven years ago, is a real scholar.
He is also one of the best scholars in the world.
However, as a long-time subscriber to the Asahi Shimbun, Weekly Asahi, etc., I had never heard of him.
It is one of the obvious facts about the mass media’s manipulation of information and biased reporting.
His definition of “intuition” is synonymous with what I have been saying since I was young: “Geniuses get inspiration, mediocre ones do not.
For people worldwide who want to know the truth of things, and for those who wish to have the correct knowledge as a human being living in the 21st century, this column will deliver genuine articles to the world every day in the language of each country.
As I have already mentioned, it is divine providence that the “turntable of civilization” is now turning in Japan, which has been the best country in the world since ancient times.
In Japan, real thinkers from all walks of life are writing genuine papers day and night.
Japanese is a beautiful language, but it is not the standard language of the world.
That is why the world did not know about Japan.
A recent book by Yoshio Kisa, former Yomiuri reporter and Berlin correspondent, “Germany is becoming ‘anti-Japanese,’ its true identity,” really proves that my article was correct.
This book is one of the most important books of the 21st century.
People around the world who make a living out of speech should become subscribers to this column.
It will keep you inspired about the truth of things. 

Preserving the Emotion of Last Night in Kobe with the Beauty of the Japanese Spring — Rina Nakano, Sayaka Shoji, and Tchaikovsky’s Violin Concerto

The profound emotion of Rina Nakano’s performance of Tchaikovsky’s Violin Concerto with the Osaka Philharmonic Orchestra at Kobe Kokusai Hall on July 22, 2026, is preserved through Sayaka Shoji’s performance and photographs of the Omuro cherry blossoms at Ninnaji, Byodoin in Uji, and the Kirishima azaleas at Nagaoka Tenmangu Shrine.

On July 22, 2026, at Kobe Kokusai Hall, I heard Rina Nakano perform Tchaikovsky’s Violin Concerto with the Osaka Philharmonic Orchestra.
It was a truly magnificent and deeply moving performance.
The sound produced by Rina Nakano’s violin was powerful yet fresh, brilliant yet never confined to mere outward beauty.
The passion, sorrow, longing, and exultant joy of life contained in Tchaikovsky’s music were released into every corner of the hall.
I felt compelled to preserve the emotion of last night together with my own photographs.
Naturally, no recording exists of the performance I heard last night.
I therefore searched YouTube, hoping to find a performance by one of the brilliant Japanese violinists whom Japan can proudly present to the world.
Fortunately, I found a performance of Tchaikovsky’s Violin Concerto by Sayaka Shoji.
I could not have hoped for a greater stroke of fortune.
Sayaka Shoji belongs to the generation preceding the extraordinary group of violinists now emerging one after another from Japan, including Rina Nakano, Natsuho Murata, HIMARI, and Riisa Nakahara.
She is herself a violinist of exceptional genius whom Japan can proudly present to the world.
Her playing combines razor-sharp technique with profound spirituality, bringing the passion and lyricism within Tchaikovsky’s music vividly to life.
For the visual images, I used photographs of the Omuro cherry blossoms in full bloom at Ninnaji Temple, taken on April 10, 2022, together with photographs taken on April 20 at Byodoin Temple in Uji and of the Kirishima azaleas in full bloom at Nagaoka Tenmangu Shrine.
All of these photographs were originally taken and preserved in ARW format and were newly converted into JPEG files for this work.
The noble beauty of the Omuro cherry blossoms, symbolic of spring in Kyoto, the quiet light surrounding Byodoin, and the Kirishima azaleas blazing in full bloom.
I brought these scenes together with Tchaikovsky’s music as performed by Sayaka Shoji and composed them as a single work.
Through her performance and the beauty of the Japanese spring that I photographed, I preserve here the profound emotion that I received from Rina Nakano’s performance last night.
Although Kobe is only a little more than twenty minutes from Shin-Osaka by rapid train—almost the same travelling time as Kyoto—it does not give me the feeling of being in my own garden that I experience in Kyoto.
That is only natural, since I do not visit Kobe frequently.
Whenever I go there, despite the journey being only a little over twenty minutes, I am invariably overcome by the feeling that I am an étranger.
This is partly because Kobe is such a great metropolis and such an elegant and sophisticated city.
Even so, Japan has magnificent concert halls in cities and towns throughout the entire country, and in that respect it must surely be overwhelmingly the finest nation in the world.
This may also be one reason why classical musicians of extraordinary calibre continue to emerge without interruption.
Here is a truth to which I have repeatedly referred.
Throughout recorded history, Japan has been the country in which women have been cherished and treated with greater care than anywhere else in the world.
Upon that tradition arose Murasaki Shikibu, Sei Shonagon, and other remarkable women.
Today, outstanding Yamato nadeshiko continue to emerge at the highest level in every field and every part of society.
The United Nations committee on discrimination against women has been dominated by countries contaminated by Chinese and anti-Japanese propaganda, with women from those countries serving as its members.
Astonishingly, they have repeatedly issued outrageous statements against Japan, under the name of human-rights recommendations, claiming that it is a country in which women are discriminated against.
They must confront the actual conditions faced by women in their own countries.
Those who belong to the advanced nations of Europe and North America must humbly accept the findings of the Newsweek survey published some years ago.
Namely, the reported reality in their countries that around fifty per cent of adult women had experienced rape.
When I read that report, I thought, “This is what one gets with carnivorous peoples.”
The severity of male domination and the contemptuous treatment of women in China and on the Korean Peninsula is an evident fact.
When South Korean women golfers began to dominate the LPGA, I was the first person in the world to point out that this was the underlying reason.
As for the condition of women in the Islamic world, it is no exaggeration to say that it is almost beyond description.
Women from such countries have dominated and constituted United Nations human-rights committees and have attacked Japan at every opportunity.
This, too, is one reason why the turning of the table of civilization has come to a halt and why today’s profoundly dangerous and unstable world has emerged.
Rina Nakano’s performance in Kobe last night was an eloquent demonstration to the world of the cultural depth nurtured by Japan and of the extraordinary talent of Japanese women.