About The Turntable of Civilization

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Born in Miyagi Prefecture, Japan.
It is easier than twisting a baby’s hand to manipulate the media and government of the democratic camp, which is trapped in pseudo-moralism and political correctness by the totalitarian state represented by the one-party dictatorship of the Communist Party, whose essence is propaganda.
The Asahi Shimbun dominated Japan until the press conference of its president, Tadakazu Kimura, on September 11, 2014.
When I was in elementary school, the adverse effects were probably not as significant as they could have been.
There were frequent national achievement tests and intelligence tests.
However, after my time, these tests were rarely conducted because they were said to be discriminatory.

When I was in the fifth grade, I was called into the principal’s office because I had scored very high on the above test.
For a fifth-grader, I already had the ability of a high school sophomore.
I studied at one of the best prep schools not only in Miyagi Prefecture but also in Japan.
I thought that Kyoto University, not Tokyo University, was where I should further my education.
One of my teachers went to Tohoku University instead of Kyoto University due to family reasons and taught history at his alma mater.
When I was in junior high school, I had read Tolstoy’s “War and Peace,” “Anna Karenina,” and Dostoevsky’s “The Brothers Karamazov.” Still, when I was in high school, for some reason, I became obsessed with Ryunosuke Akutagawa.
The Russian Revolution of 1917, in which Lenin established the Soviet communist state, had a significant impact on intellectuals worldwide.
Ryunosuke Akutagawa was, as his appearance suggests, a man of literature with a keen sensitivity that was the ultimate in delicacy.
He, too, has been profoundly influenced.
I felt that his suicide was partly caused by the trap of the “study school,” It said that since it had established a country of workers, there was no reason for intellectuals to exist.
That’s why I read and hunted for materials before and after the Russian Revolution in the library of my alma mater.
My teacher knew this.
When the unit on the Russian Revolution came, he put me on the podium, saying, “K knows more about this area than I do.”
The lecture I gave in front of all the brilliant students in Miyagi Prefecture lasted for two hours.
I ended the lecture by introducing Akutagawa’s “Words of a dwarf” about Lenin.
“Lenin. You are an electric locomotive born in the East, smelling of flowers and grass.

One of my classmates was one of the top two brains in science.
He was known throughout Miyagi Prefecture as a brilliant science major from the time he was in junior high school.
I was well known as a humanities major.
About five years later, he and I encountered each other on the stairs of a job security office in Sendai.
He had followed the path of Japan’s leading elite, only to be entangled by Zenkyōtō.
In stark contrast to him, I, probably because I was a liberal arts major, responded more than I should to the discord in my family where I was born and raised and went off on a sidetrack that none of my classmates knew.
In my alma mater graduation essay, it was written that “this K will eventually leave a great mark on the Japanese literary world.” Still, the main reason why this did not happen was that I encountered the writings of Le Clézio.
There is a saying that another person in this world is exactly like you, and that is how I saw him.
As long as he is writing, there is no need for me to write.
Also, it can throw books (novels) in the bucket after reading.
There should be only one book in this world.
Then I lived the life of his success story, the “Book of Escape” that I liked the most.
In the alumni directory of my alma mater, I was listed as having been missing for a long time.
I got a job at what is now Haseko Corporation.
They had been doing a background check on me for two and a half months.
One would not usually think that a man of such apparent genius would let his life go sideways due to personal and family suffering.
Wasn’t he involved in student activism?
I guess the company was concerned about this.
It was a job opening in the middle of a recession, and the halls of the head office were overflowing with job seekers for only two doors.
At the time, I was in charge of outdoor advertising sales at an advertising agency subsidiary of Sanwa Bank.
I was achieving results that were unprecedented in the history of this company.
Salaries at the subsidiary were low, and the employees were working to form a union to improve the situation.
The union’s core comprises two men, one from Kansai University and the other from Kwansei Gakuin University.
After work, we gathered in a room in a vacant building in the neighborhood and started preparing for the establishment.
However, they began to argue among themselves, so to speak, about the Sohyo line versus the Alliance line.
I said to them, “All you need to do is to ask for a raise in salary. It doesn’t matter what line you take. If that’s your main issue, then I’m out,” I said and left.
I felt a little uncomfortable.
At that time, there was a call for applications from Haseko.
The whole auditorium was filled with people in a desperate mood.
I had a feeling that most of these people would be rejected.
As for me, I was making the seven interviewers, including the one in charge who graduated from Osaka University, laugh.
I later learned that they decided to hire K because he was funny.
That was the beginning of my career in real estate.
Later, he founded Osaka Housing Distribution Group Co.Ltd., which was reputed to be one of the best real estate companies in Japan, although it was unknown nationwide.
During its heyday, the company paid over 17 billion yen in taxes to the Japanese government in just ten years.
You can find the rest of the story and today’s story in my previous blogs on goo and ameba.
In July 2010, I had no choice but to appear on the Internet because the confusion over the Osaka Station North Yard project, which I had been proclaiming to everyone around me as the key to Osaka’s revival, was too much.
Since then, I’ve been posting on goo and Amoeba, day after day, in many languages, to the world.
This time, the time has come to create this homepage as a blog with a chargeable system.
At the same time, I am starting a crowdfunding campaign, as readers know.
June 2021, lucky day!

About cloud funding.

It has been about 30 years since the age of the Internet, and this column, which appeared in July 2010, is the one and only blog in the world.
Hiroshi Furuta, whom I have known for the first time since August seven years ago, is a real scholar.
He is also one of the best scholars in the world.
However, as a long-time subscriber to the Asahi Shimbun, Weekly Asahi, etc., I had never heard of him.
It is one of the obvious facts about the mass media’s manipulation of information and biased reporting.
His definition of “intuition” is synonymous with what I have been saying since I was young: “Geniuses get inspiration, mediocre ones do not.
For people worldwide who want to know the truth of things, and for those who wish to have the correct knowledge as a human being living in the 21st century, this column will deliver genuine articles to the world every day in the language of each country.
As I have already mentioned, it is divine providence that the “turntable of civilization” is now turning in Japan, which has been the best country in the world since ancient times.
In Japan, real thinkers from all walks of life are writing genuine papers day and night.
Japanese is a beautiful language, but it is not the standard language of the world.
That is why the world did not know about Japan.
A recent book by Yoshio Kisa, former Yomiuri reporter and Berlin correspondent, “Germany is becoming ‘anti-Japanese,’ its true identity,” really proves that my article was correct.
This book is one of the most important books of the 21st century.
People around the world who make a living out of speech should become subscribers to this column.
It will keep you inspired about the truth of things. 

Mr. Hyakuta says that the theme of “Godzilla-1.0” is about “life” and what people live for.

Last night, before going to bed, I watched the “Yoichi Takahashi Channel” on YouTube.
On his way home from a taping of “Justice Ally,” host Higashino invited him to see the latest “Godzilla” movie, “Godzilla -1.0” (Godzilla Minus One).
Yoichi Takahashi had initially decided to see the movie.

I had stopped going to the cinema at some point in my life.
The only Japanese movies I watch on TV are “Otoko wa Tsuraiyo” and “Tsuribaka Nisshi.”
Last night, I watched “Otoko wa Tsuraiyo,” starring Harumi Miyako, which started at 6:30 p.m. and was followed by the Japan Series baseball game.
I have watched “Otoko wa Tsuraiyo” many times, not only this but all the episodes.
I had no intention of watching this episode at first, especially since I remembered the synopsis so vividly.
However, because I am writing this paper, something pushed me to watch it.
And even if you search all over Japan, you probably won’t find anyone watching the “Japan Series” on TBS and “Otoko wa Tsuraiyo” on TV Tokyo at the same time last night.

Harumi Miyako is one of those rare singers. 
Just listening to her songs, there is something to be emotionally and deeply moved about.
I was reminded of something.
As serious readers know, I was enrolled in one of Japan’s leading preparatory schools.
It was a high school where the first and second students of junior high schools in Miyagi Prefecture were admitted.
People at that time knew high achievers in the humanities and sciences, respectively, in the prefecture from the time they were in junior high school.
He was in the sciences and consistently ranked at the top.
I was in the humanities.
A few years after graduation, he and I had a chance encounter on the steps of Hello Work in Sendai.
He was at the mercy of the times.
I was at the mercy of my family.
As a result, he encountered me on his way down the stairs, and I met him on my way up.
We went into a neighborhood coffee shop and talked.
I still vividly remember one thing he said, which was an expression of distrust and suspicion toward the “Asahi Shimbun,” and another thing he said, which I still remember.
He said, “Harumi Miyako’s ‘Anko Tsubaki’ touches my heart more than anything I have experienced or read in college.

As for Asahi Shimbun, my best friend at the time (I was still reading Asahi without knowing anything about it) said, “I don’t read Asahi.
I don’t read the Asahi. I don’t like that uptight attitude; that’s a lousy newspaper…”

He had a different kind of domestic anguish than I did.
It was nothing compared to the anguish I had.
I know this because I once went to his house for a sleepover.
But the things they perceived as afflictions in their boyhood and youth are significant in their own right.
He was a great, talented, mature, late type of person and spent a year as an entrance exam rejectee.
As soon as he started his life as an entrance exam rejectee, he became the top person among the current and an entrance exam rejectee.
So, he was in a position to go to the University of Tokyo or wherever he wanted to go.
However, his struggles also had a decisive impact on him when he entered university.
It had the same decisive effect on his decision on where to work.

Last night, after the Japan Series had become so decisive for Yamamoto’s revenge, I mostly watched “Otoko wa Tsuraiyo: Tabi to Onna to Torajiro” (Otoko wa Tsuraiyo: Travels, Women, and Torajiro).
It is because I felt lamentation when Harumi Miyako started to sing.

As mentioned above, I have not watched Japanese films long, so I know little about Yamazaki’s director.
I do know the title of the movie that Mr. Takahashi and Mr. Hyakuta told me he directed.
Sunset on Third Street Always, Eternal Zero, and so on.
They both praised these movies and the director’s skill.

This morning, I watched the Naoki Hyakuta channel.
Mr. Hyakuta had finished the episode we watched last night because he would have lunch.
He went to see the film afterward.
He probably went to see this movie with his wife, who is one of the very best of Kyoto University graduates.
He was also very much appreciative of the film, speaking carefully so as not to spoil it.
It’s heartbreaking and gut-wrenching.
It’s amazing! I still can’t stop being moved.

Director Yamazaki writes all his scripts, like Akira Kurosawa.
Mr. Hyakuta said that the theme of the latest Godzilla movie is well acquainted with the eternal zero.
It was also said last night by Mr. Yoichi Takahashi.

Mr. Hyakuta says that the theme of “Godzilla-1.0” is about “life” and what people live for.

I thought as I listened to Mr. Hyakuta’s commentary.
As serious readers know, my “turntable of civilization” will continue for another 170 years after my death.
My successors are those who understand how vital my work, the “turntable of civilization,” is for humanity.
They will always have God’s blessing.
Because the “turntable of civilization” is Divine Providence.

Many people graduated from national universities such as the University of Tokyo or prestigious private universities but are still in the workforce, steeped in the masochistic view of history and anti-Japanese sentiment of the red professors (leftist pedophiles) who dominate Japanese universities.
As a Japanese citizen, it is genuinely shameful, especially for graduates of national universities, most of which are funded by the public taxpayers’ money.
The same applies to private universities, which receive substantial private school subsidies.
All those who lack any sense of nation and politics, and on the contrary, do not even realize that they are tainted with the masochistic view of history and anti-Japanese by the leftist pedophiles, must see this film.

Now, the appropriate music for this chapter has just come on.