Through the internet—the greatest library in human history—I arrived at two intellects: Isabella Bird and Kō Bun’yū.
The Turntable of Civilization is an exceptionally advanced scholarly work for interpreting Japan and the world.

I first came to know Isabella Bird through the internet, the greatest library in human history.
The trigger was the astonishing behavior of former South Korean President Lee Myung-bak in the final stage of his administration.
This led me to verify the historical truth and present reality of the Korean Peninsula that I had long sensed intuitively.
As I have already written, that verification took only one hour.

In the course of that process, I learned about Isabella Bird, a traveler who could rightly be described as the greatest in the world at that time—and all the more remarkable because she was a woman.
A friend of mine, with unparalleled usefulness, had already read through the related books extensively.

Among the books he recommended was
The Differences Between Japan, China, and Korea That Foreigners Have Found Astonishing for 2,000 Years: Why the World Ultimately Grows Weary of China and Korea and Comes to Admire Japan by Kō Bun’yū.
I had hesitated for some time before starting this book, but today I read it straight through in one sitting.

I have already sent out to the world that Kō Bun’yū is one of the greatest scholars on China.
Today, I now send out to the world that he is equally a scholar of the highest rank when it comes to Japan.

Many perceptive individuals around the world must have already realized that The Turntable of Civilization is, in fact, an extraordinarily great scholarly work.
For example, a friend of mine who is also a religious practitioner and begins each day by reading a religious chapter once remarked,
“By the way, The Turntable of Civilization is truly a wonderful title.”

Kō Bun’yū, as a scholar of the highest order on Japan as well, substantiates the greatness of my discovery.
Many discerning individuals around the world will inevitably come to recognize this fact.

At the same time, I was reminded of another reality:
that a man who lived without even knowing that what I had grasped intuitively could be verified as correct in a mere hour—
and who, in truth, is nothing more than a derivative version of a genuine American female genius writer—
has nevertheless been elevated and celebrated as a great literary figure.

This man not only failed to convey the truth, but actively engaged in truly unforgivable fabricated reporting, such as the so-called “comfort women” narratives.
Through this, Asahi Shimbun severely degraded Japan, the Japanese people, and ultimately Japanese culture itself in the international community.
When criticism naturally arose against Asahi Shimbun from all levels and sectors of Japanese society, this man dismissed it by calling it
“the ideology of cheap liquor.”

Desperate for the Nobel Prize, this man likely believes that being approved by Asahi Shimbun is an absolute prerequisite for receiving the award.
Considering that the prize was given to Kenzaburō Ōe, and that this man himself has been listed as a candidate, one can only say, “good grief.”
In time, many will surely come to realize this as well.

To be continued.