February 23, 2026.
Filmed after attending Beethoven’s Ninth performed by the Osaka Philharmonic at Symphony Hall, this is Part II of the visual record of Umeda’s most advanced architectural interiors.
The transparent light of Saint-Saëns’ Aquarium.
The refined structure of Ravel’s Le Tombeau de Couperin: “Rigaudon” and “Menuet.” Glass, steel, and reflected light— a quiet order residing within modern architecture.
A visual poem where sound and architecture intersect.
A permanent archive capturing civilization in the present.