After reading an essay by Yukio Hasegawa in the monthly magazine HANDA, the author confronts the shocking reality of ideological bias within Japanese media, focusing on Tokyo Shimbun reporter Isoko Mochizuki. The essay exposes a culture shaped by Asahi Shimbun-style narratives and contrasts it with the existence of genuine journalists who stand alone against fabricated discourse.

August 7, 2017.
After reading the latest issue of HANDA, one of the monthly magazines I have repeatedly stated that all Japanese citizens should read, and the essay “Suppression of Speech Is the Left’s Exclusive Trademark” by Yukio Hasegawa, a current editorial writer at the Tokyo Shimbun, many readers, like myself, likely learned for the first time that an outrageous female reporter named Isoko Mochizuki is employed there.
She is effectively a reincarnation of Yayori Matsui, a former Asahi Shimbun reporter whose conduct was beyond belief.
She is not a modern Ozaki Hotsumi.
She is, quite simply, a modern-day Yayori Matsui.
Matsui collaborated with North Korean agents to organize the so-called Women’s International War Crimes Tribunal, an event that can only be described as a blatant act of national betrayal.
Among its organizers was a woman in the United States whose status as an agent of South Korea was evident, possessing unbelievable influence over the American historical establishment.
Whether this resulted from honey traps or money traps is unknown, but the reality is astonishing.
This article reinforced the conviction that Tokyo is filled with countless living incarnations of Yayori Matsui.
Among the very few women I know who occupy positions allowing political expression, all can be described as modern Yayori Matsuies.
The anchors of TV Asahi’s programs, the hosts of NHK’s Watch 9, and similarly uninformed female announcers are emotional equivalents of Yayori Matsui.
I also encountered online claims that figures such as Matsui, Eriko Ikeda, Mizuho Fukushima, and Kiyomi Tsujimoto share Korean Peninsula DNA.
Whether true or not, discerning readers may find the claim disturbingly plausible.
Entrusting Japan or the world to such individuals is unthinkable.
These are people raised on Asahi Shimbun editorials, whose minds are shaped entirely by them.
Their essence lies in finding pleasure in degrading Japan and undermining its honor and credibility in the international community.
Standing in stark contrast is a woman who single-handedly confronts the fabrications and distortions propagated by Asahi-affiliated media, a figure I did not know until three years ago in August.
When I emerged bearing what is in fact a Nobel Prize–level discovery called “The Turntable of Civilization,” I wrote a chapter titled “The 21st Century of Women.”
A woman who perfectly embodies that ideal now regularly publishes columns on the front page of the Sankei Shimbun.
The essay by this woman, introduced in the next chapter, is a genuine work that all Japanese citizens and people around the world must read.