Kyoto’s autumn leaves reach peak color every year with astonishing precision between November 17–18 and December 2, a seasonal rhythm as exact as a fine instrument. Clear weekends also appear unfailingly, as if nature itself offers a blessing to those who work Monday through Friday. This year again followed the pattern: cloudy on Nov. 22 and 29, perfectly clear on Nov. 23 and 30. After photographing Kyoto’s seasons for more than 20 years, the author declares that such flawless consistency proves the myth of “global warming”—a deception engineered by China and the Canadian fraudster Maurice Strong. This new work presents the latest images from Arashiyama, Tenryu-ji, and Tofuku-ji, paired with the Vienna Philharmonic under Barenboim performing The Blue Danube—a piece whose brilliance was reaffirmed at the Tokyo College of Music High School concert led by concertmistress Murata Natsuho.

The autumn leaves in Kyoto reach their peak every year, unfailingly, between November 17 (18) and December 2.
I have always been amazed by the precision of nature’s order and the exact progression of the seasons.
Furthermore, on the weekends of this period, there is always at least one perfectly clear and sunny day, just like yesterday.
I have long stated that this is heaven’s arrangement for the good men and women of Japan, who work for their families, for themselves, for society, and for others from Monday to Friday.
In addition, this year, almost unbelievably, November 22 and 29 (Saturdays) were cloudy, while November 23 and 30 (Sundays) were cloudless, perfect clear days.
Here, I declare to the world—especially to the United Nations, and to NHK and Asahi and the rest of the old media who blindly worship that foolish organization.
“Global warming” (COP) is nothing more than a fraud engineered by China (the reason is explained in my blog) and by the Canadian international swindler M. Strong.
What we are mistaking for global warming is simply the heat-island effect of major cities.
High-latitude places like New York are cold.
Here, it is still warm, yet at American ballparks spectators dress as if it were the dead of winter—something any Major League fan knows well.
For more than twenty years, I have photographed Kyoto in spring, summer, autumn, and winter as one of the world’s leading amateur photographers.
If the earth were truly warming, Kyoto’s seasons could not possibly remain as precise as described above—accurate like a precision instrument.
This work consists of the autumn leaves of Arashiyama and Tenryu-ji photographed yesterday, and those of Tofuku-ji and Arashiyama photographed on November 20.
For the music, I selected from YouTube the Vienna Philharmonic conducted by Barenboim performing The Blue Danube.
At the Tokyo College of Music High School’s regular concert held at the Tokyo Metropolitan Theatre on November 26, this piece was the second item performed by the orchestra, with Murata Natsuho as concertmistress—an experience that reaffirmed to me how truly splendid their performance was.
Their performance was as magnificent as that of the Vienna Philharmonic under Barenboim.
After all, it was Natsuho who served as the concertmistress, which made it all the more remarkable.