Published on August 19, 2019.
This essay discusses the full-page appeal placed by Hong Kong citizens in the Nikkei, arguing that Japan should have stood as a nation of freedom, intellect, and “The Turntable of Civilization.”
It criticizes the postwar influence of the Asahi Shimbun, NHK, Oe Kenzaburo, and Murakami Haruki, and denounces the condition in which Japan cannot answer Hong Kong’s desperate cry for liberty.

August 19, 2019.
Unlike Japanese people who subscribe to the Asahi Shimbun and watch NHK, they know that Japan is a country where “The Turntable of Civilization” is turning.
Why did the citizens of Hong Kong place the following full-page opinion advertisement in the Nikkei?
Among repeat visitors to Kyoto, people from Hong Kong and Taiwan are among the greatest in the world.
Unlike Japanese people who subscribe to the Asahi Shimbun and watch NHK, they know that Japan is a country where “The Turntable of Civilization” is turning.
Because they know that Japan is a country which, alongside the United States, must guide the world as a world leader for the next 170 years, they placed a full-page advertisement in the Nikkei.
However, although Shinzo Abe has truly worked with lion-like vigor to return Japan to the place where it should be, when one looks at his work and his position at the G20, it is only natural that the citizens of Hong Kong took the following action.
Yet Japan was ruled by the Asahi Shimbun until August five years ago.
It was ruled by the Asahi Shimbun, the proxy of China and the Korean Peninsula, the only two anti-Japanese states in the world.
The Asahi and NHK have continued to brainwash the Japanese people into believing that Japan was an evil country that started a war, and that the Japanese military was an army made up of evil itself.
In other words, at first, in accordance with the War Guilt Information Program, or WGIP, which was the occupation policy of GHQ, and after the restoration of sovereignty, infected by communism and pseudo-moralism, and then exploited in that very point by China and the Korean Peninsula, they have continued to place Japan in the position of a political prisoner in the international community, just as those countries intended, and exactly according to their propaganda.
The following advertisement is, by analogy, “The Dying Swan” danced by Maya Plisetskaya.
But everyone must have felt the powerlessness of Japan today.
If Japan had been, as the citizens of Hong Kong see it, a country where The Turntable of Civilization is turning, a country that has achieved the highest freedom and intellect in the world, and a country that could behave, both in name and reality, as a world leader alongside the United States, Japan could have answered the desperate opinion advertisement that Hong Kong citizens issued without regard for the great expense.
The representative figures among the unforgivable people who, like the Asahi and NHK, have continued to play a major role in keeping Japan in the disgraceful condition of being unable to respond are Oe Kenzaburo and Murakami Haruki.
Regarding the Korean Peninsula, Murakami Haruki publicly declared in the pages of the Asahi Shimbun that the people who exposed Asahi’s lies on the Internet and revealed the true state of the Korean Peninsula were people drinking cheap liquor, and that Japan must continue apologizing to the Korean Peninsula forever.
Regarding China, in a recent work he wrote not only that the Nanjing Massacre really happened, but as if the number of victims was not 200,000 but 400,000.
This is the utmost flattery and servility toward China.
Murakami Haruki is a person about whom most Japanese people do not know where he is or what he is doing.
By searching, I learned that he stays at luxury resorts around the world and writes novels there.
It goes without saying that for the intelligence organs of China, a one-party dictatorship of the Communist Party, where it is no exaggeration to say that propaganda and publicity operations are everything, in other words, for the intelligence organs of totalitarian China, he is an ideal target.
Moreover, to the Japanese people, people like him are mysterious beings.
He is a person whose daily life is unknown.
If I were the head of China’s intelligence agency, I would send the finest beauty among the honey-trap operatives, said to number no fewer than 5,000, to the ultra-luxury resort hotel where he was staying.
After all, most Japanese people have absolutely no idea where he is.
At the same time, that means that he is full of openings.
The intelligence agencies of South Korea, which has continued Nazism under the name of anti-Japanese education for 74 years after the war, must think exactly the same thing about him as China does.
I had not intended to write about Oe Kenzaburo in this essay, but when he received the Nobel Prize, China and the Korean Peninsula must have waged intense recommendation campaigns beneath the surface.
Now, as for Murakami Haruki, I have never once wanted to read his so-called novels.
As I have already written, when I first read his style and prose in the issue of the monthly magazine Sound Argument in which he appeared in “A Biographical Series of Japan’s Hollow Men,” I was astonished by its childishness.
I knew about his background.
He graduated from Waseda University.
At that time, Waseda had a lower entrance-exam ranking than it does today, and was certainly not an especially difficult university.
His name sometimes appeared in the pages of the Asahi Shimbun as a translator of Raymond Carver, Kurt Vonnegut, Raymond Chandler, and others.
It was after he wrote Norwegian Wood that he was, so to speak, suddenly advertised as a massive best-selling author.
I knew that Joyce Carol Oates was said to be one of America’s greatest writers and one of those closest to receiving the Nobel Prize, and that her greatest work was written based on the inspiration she received when she heard Bob Dylan’s “Don’t Think Twice, It’s All Right.”
Bob Dylan and John Lennon are inseparable human beings who have supported my extraordinary life.
It is no exaggeration to say that I have lived, every single day, supported by these two men.
I had felt something strange about Murakami Haruki using the Beatles’ Norwegian Wood as a title.
One day, when I arrived at the above inference, a hypothesis was born.
So I checked the time difference between the two stories.
The result was exactly as I had inferred.
I wrote about that here.
I wrote that there was a strong possibility that he had plagiarized her.
Some time later, when I searched for Joyce Carol Oates on Wikipedia to confirm it again, I was astonished.
What had once been such a voluminous entry had been almost entirely deleted and turned into a very short biography.
I immediately thought this.
My inference was 100 percent correct.
Most likely, fanatical Harukists from South Korea or perhaps China had launched their specialty, a complaint attack, and had it deleted.
There is no other possible explanation except that my inference was factual.
Because of Asahi, NHK, Oe, Murakami, and the others, Japan now stands before the following desperate opinion advertisement, while human beings who absolutely do not wish to lose freedom and intellect are now standing on the brink of having the minimum conditions for being human taken away by China, a one-party dictatorship of the Communist Party, the largest and worst human-rights-violating state in history, and a China where even freedom of speech does not exist.
In response to that dying voice, our country, Japan, the greatest country in the world, has been degraded into a country that can say nothing because of the lowest and most malicious people: Asahi, NHK, Oe, Murakami, and their kind.
Had the postwar period not been one in which those base and lowest people ruled Japan, China, which sought to become a hegemonic state that humanity could never permit, is now being economically tightened up completely by the United States, which has finally awakened to China’s true nature and has decided that no further arrogance will be allowed.
The one-party dictatorship of the Communist Party is like a lamp before the wind.
That is why China has approached Japan.
Of course, as usual, while continuing to threaten the Senkaku Islands with force, in precisely the manner of a gangster state.
For China now, every possible technology, including semiconductors, and Japan’s financial power are its final lifeline.
Yet Japan, as a result of the fact that the most base and malicious people in the world mentioned above ruled Japan, and as a result of their influence that still remains, cannot even tell China that unless it can guarantee the freedom and intellect desired by the citizens of Hong Kong, Japan cannot conduct amicable dealings with China.
This essay continues.