Reading Takayama Masayuki’s work reveals long-hidden truths that Asahi, Mainichi, and Japan’s so-called cultural elites have concealed for decades. Their immaturity, biased reporting, and the Festivaltower–North Yard scandal demonstrate that last August marked a decisive turning point—what the author calls “divine judgment.” Their harmful influence on Japan and its people, the author argues, can no longer be tolerated.

2016-01-09

Anyone who has read Takayama Masayuki’s works, especially those who once subscribed to Asahi or Mainichi, must have been astonished by every chapter he writes.
In every chapter, the “hidden truths,” the “concealed realities,” are illuminated.
Readers cannot help but be stunned by how every topic he raises contains truth.
I was the first person in the world to declare that he deserves the Nobel Prize in Literature this year, and many will surely agree that my judgment was correct.
Today was no exception.
On the train returning from Kyoto, my garden and the distilled essence of Japan’s beauty, I was reading his book Distorted Reporting.
Now, regarding the news programs flowing in the living room, anyone sensible agrees that NHK’s news is at least still watchable.
A moment ago, I tried watching TV Asahi’s “Hōdō Station,” and the childishness of Furutachi and the commentators has reached an abnormal level.
Yoshinaga Sayuri, who once praised this man to the skies, must realize how deeply such childishness has inflicted harm upon our nation.
The immaturity and foolishness of Asahi Shimbun and the so-called cultural elites who have marched in step with it brought massive damage upon Japan, and this became decisively clear last August.
In other words, their foolishness, and the malicious behavior it has produced toward Japan and the Japanese people, can no longer be tolerated.
It has become evident that, as “intellectuals,” they were nothing more than kindergarten-level incompetents.
Divine judgment has been pronounced.
Punishment has fallen upon their unbearable arrogance and malice.
I, who chose Osaka as my stage and lived the life of a businessman from nothing, had to appear on the Internet only because the “North Yard” situation at Osaka Station was so outrageous.
Their era is over.
What was the chaos of the North Yard?
My work uncovered the terrifying truth: the cause was the Festival Tower, Asahi Shimbun’s flagship skyscraper project on Nakanoshima, and Asahi Shimbun was the mastermind behind it.
Until last year, I knew nothing of this, but Japan possesses one true journalist in the entire postwar world—Takayama Masayuki—who now lives as a writer.
With extraordinary precision, he has delivered the final verdict upon you and upon the sham cultural elites, intellectuals, and academics across the world.
And although I am unknown, the discerning observers of the world all know that I, too, have long done the same.
Today again, I encountered a chapter that must be conveyed to the entire world without delay, and I shall present it in the next section.